Inspiration: Pretty, Pretty Peplums!

"Pretty Pretty Peplums" inspiration featuring a Modcloth striped dress and top and a Stop Staring dress

With the Cake Patterns Hummingbird Sew-Along humming along on day 2, it's time to cut my third Hummingbird top, and I was on the hunt for a little inspiration on what I might do differently this round. Man do I love a peplum...

You might guess I was leaning towards a dress version... maybe with stripes...

And I was. Until I remembered that my daughter's third birthday party is this weekend and I only have two actual sewing evenings before both my parents and my husband's mother and young cousin come to stay in our little apartment for several days...

So I think another top it is—probably View Blue, which has a deep wide neck, with a woven dickey and cuffs. (A little step towards making my first button-down shirt, but way less commitment!). Here's Steph's version for an example.

I'm doing mine in a nice chevron jersey from my recent trip to Mood:

And the dickey and cuffs in some scraps of sheerish black Swiss dot lawn from the Stash that Must Be Busted, left over from my self-drafted reversible shirred skirt:

I hope sheerness won't be an issue here... we shall see!

P.S. On another note, this just made my day. I have a bad case of laryngitis and have been very cranky about not being able to talk properly. I got home today and my husband had washed a recent fabric purchase (sorry, can't tell you what it's for! sssssssh!) and put it on my sewing cabinet with this little note:

So are you pro or anti-peplum?

Love Letter to a $4 Vintage Peplum Dress

Dear $4 vintage dress,

We've been through a lot together in the past 12 years and you've always stuck by me. I remember the first time I saw you squeezed on the back of a rack in Cambridge's Garment District thrift store. I was running my hands across the rack looking for something bright and pink or orange, but your soft velvet burnout caught my attention.

And then there was your neat little 80s-does-40s peplum, and your adorable little front bow. And you know I can't resist a sweetheart neckline...

You were the perfect combination of structure and comfort, with your boned front bodice and your super-stretchy elastic shirred back. Really, you're everything I could want in a dress:

Thanks to that shirred back, you've survived many a closet purge over the years. My weight has gone up and down, but you almost ALWAYS fit.

You make me feel glamorous and put together and thrifty all at once. You've accompanied me to many a dance over the years, and even a Zombie Purim party (sorry about the fake blood, but it washed out):

Plus, even though I got you second-hand you were originally union made in the USA (thanks International Ladies' Garment Workers' Union!)

Anyway, I just wanted to say thanks for coming with me to my college reunion last weekend. It was my 33rd birthday and I was grumpy about spending it back at Harvard and I barely saw anyone I knew (that's what I get for taking a semester off and graduating with the class behind me!) and I soon realized why velvet dresses aren't generally worn on 90-degree summer days ... but I had so much fun getting dressed up and dancing with my husband in his rented tuxedo.

Love and kisses,
Mikhaela

P.S. You are so hard to photograph, dear dress—but that's the black velvet I suppose. Here you are in an overexposed shot for more clarity:

--Black velvet strapless sweetheart peplum dress, vintage--
--Fake pearl necklace my mom and I both wore to our weddings--
--Vaneli silver leather strappy sandals, bought for my wedding in 2007 (similar here)--
--Pleated silvery gray clutch, now covered in cranberry juice stains thanks to a drunken reunion attendee (similarish)--

**Disclosure: Actions you take from the ready-to-wear hyperlinks within this blog post may yield commissions for polkadotoverload.com (and quite likely spent on yarn or fabric).

Polka Dot Birthday Giveaway: You! On a Vintage Pattern Envelope!

Hello dear readers! In honor of reaching 200 followers—well, 226 now!—and my 32nd birthday (that's Friday, June 1st!) I'd like to offer a somewhat unusual sewing giveaway.

The prize: A simple digital color cartoon illustration of YOU, on the vintage sewing pattern envelope of your choice--maybe one you've already sewn, maybe one you want to sew, maybe one you won't ever sew, but just LOVE to fantasize about.

The deadline: entries due by midnight EST on June 6, 2012.

The background: As much as I adore vintage sewing pattern illustrations and their changing styles over time, they're all a bit, well... unrealistically tall and skinny. (Not to mention uniformly white.) I've always had this vague plan for doing a series of "Real People on Vintage Pattern Envelopes," drawings and I started to have a bit of fun with that idea in my 1940s red dress showdown and my header illustration for We Sew Retro:

The qualifications:

• This giveaway is a bit special (estimated value: $125?), so I'd like to reward a loyal blog follower who has come back at least a few times (or who plans to read the blog regularly), as opposed to a random giveaway seeker who is brand-new to the blog.
• I will draw five entries at random, then choose my top favorite based on the items described. Extra points for creativity, style, fun fabric and accessory choices, long-time readership, etc.

The rules: To enter, please...

• Follow this blog (better yet, already be a follower!).
• Leave a comment describing the vintage pattern you'd choose, in what type of fabric, with what sort of hairstyle and accessories. (For example: A red rayon 1940s dress with peplum, hair in victory rolls and red wedge sandals.)
• Tell me what you'd like to do with the drawing (put it on your business card? post on your blog? print for your mom?)
• Tell me why you like to read my blog.
• Make sure your contact info is obviously available in your Google profile or leave an email address.

Details and disclaimers:

• If you enter, you will have one week to send me a clear full-length photo of yourself, a decent image of the pattern envelope you'd like to be pictured on, and a photo or description of the fabric(s) you'd like it to be made up in, plus inspiration images for accessories and hair. The fabric does not have to be accurate period vintage—it can be as wild or weird as you like..
• You understand that these reference photos may be published on this blog in the giveaway followup post.
• I will provide you both with the pattern envelope art image and a separate image of yourself in the dress, sans envelope, like so:
  
• I estimate I'll have the drawing done in 6-8 weeks (not that the drawing will actually take that long, I just have a ridiculously busy life at the moment).
• Copyright for the standalone drawing stays with me, but you have unlimited usage rights (on your blog, business card, wherever) as long as you attribute it.
• Because the idea is "Real People on Vintage Envelopes" please keep in mind that I am not going to make you look taller, or skinnier, or more or less X, Y, or Z--I will pretty much stick to your actual fabulous outlines as delineated in whatever photo you send me.
• I will send you a rough sketch as part of the process, but reserve the right not to make many/any edits or changes to the sketch or final.

Remember: giveaway entries due by June 6, midnight EST!

And with that, I'm off to ink this Downton Abbey-esque vintage-inspired "pattern envelope" art I'm working on for the Consulting Dressmaker for her Sisters of Edwardia blouse...

Sewing Through the Decades Illustration for We Sew Retro!

Our family is off on another little trip for a few days (to Boston for my grandmother's 90th birthday party and my husband's 39th birthday), but in the meantime, I did finish up one of the sewing illustration commissions I was working on!

It's a timeline cover photo for the We Sew Retro Facebook page. Here's a screenshot of the art in action:

I had so much fun working on this (even though it took me ages longer than I estimated), deciding what outfits to dress each of them in (SO hard to choose) and on their hair and makeup. (Can you tell that 1960s seamstress woman is pregnant? I originally was working on a more rainbow-bright color scheme (1970s seamster dude originally had a bright orange plaid jacket) but it looked like a box of crayons so I muted it down.

More details later! Hope you like it!

Trouser Triumph!

I wanted trousers, I made trousers, I wore trousers. TROUSERS!

These might look like ordinary trousers, but they contain a veritable universe of pain, suffering, hard-won sewing experience--and eventual triumph! Also: polka-dot pockets:

And a hidden elastic waistband:

They're the first proper pants I've made (not counting pajama pants, pull-on pants and baby pants) and I'm not embarrassed to say that I started these over a month ago, because they are now the most comfortable, best-fitting pair of pants I own, and I will wear them INTO THE GROUND.

I took my time, made a muslin, read lots of reference materials, did lots of basting, and ripped out and redid anything that wasn't quite right. And as I wore them today at work I had this nagging sensation that they were too good to be true, and that my magic pants would somehow turn into a pumpkin (or rip up the rear)... but no. They're real, and they're mine! Phew!

Inspiration: I had three main inspirations:

1. 1940s-style natural-waisted wide-legged trousers with creased legs...
2. Maternity pants and toddler pants with hidden elastic. So comfortable!
3. Burning hatred of all RTW pants. If they fit in my hips, they sag at my waist and rear. If they fit in the morning, somehow by the evening they are huge and sagging or super-tight. And they are always the first thing to stop fitting with even the slightest weight change. GRRRRR.

The sketch:

Photos:

Why is photographing clothes so HARD? I tried this morning, back when they were perfectly snug and pressed, but even super-lightened these pictures are a bust:

So I ended up snapping some cold and windy self-timer portraits in a park at lunchtime to get proper color, but by then they were a bit wrinkly:

The pattern: Out-of-print Vogue Elements 9745 from the stash, a slightly below-the waist wide-legged trouser with contour waistband, fly front (no shield) and center back seam, with optional cuffs and carriers (which I skipped--I don't do belts on below-waist pants).

Pattern Sizing: The original envelope included sizes 6-22. I cut a 14, which should have been SLIGHTLY too small in the waist (I have a 28.5" waist, 38" hips)... but I ended up taking in 2 inches on the hips and 1 inch on the waist, plus adding elastic to the whole waistband to pull it in another inch or more.

This was partly due to my fashion fabric, partly to me randomly losing a few pounds (my toddler has been nursing a LOT lately--growth spurt and all that). And although my pants fit perfectly in the a.m., they did start to sag and bag a little by the end of the workday.

Were the instructions easy to follow? There was just one sheet of simple-looking illustrated instructions, but since I had never made real trousers before, they might as well have been in alien cryptoglyphs. So I relied heavily on step-by-step photo instructions from the Easy Guide to Sewing Pants and Sandra Betzina's Power Sewing.

What did you particularly like or dislike about the pattern? Overall I love it, but I realized after assembling the fly front that it's backwards--it faces the same way as the fly fronts on traditional men's pants, but most women's pants have it the other way.

Fabric:

• Trousers: Soft navy corduroy from the stash. I found it really tricky to cut in layers--it kept sticking to itself, so one leg came out longer than the other and I had to recut in single layers.
• Pockets and inner waistband: polka dot quilting scraps by Denyse Schmidt from the stash.

Notions: A 7" Coats & Clark zipper from Jo-Ann's (probably should have gone for something classier in retrospect), rayon seam binding, 1 1/2" wide elastic.

Pattern alterations or any design changes you made:

• I lengthened the legs by an inch or so, to a 32" inseam.
• Took the hips in by 2 inches, and the waist by 1 inch. I did this after basting the fashion fabric pants together, standing in front of a mirror and pinning out the excess at the side seams:
  
• Replaced the standard interfaced waistband with a hidden elastic waistband, following instructions from Power Sewing. The elastic is zig-zagged to the seam allowance of the waistband so it doesn't turn inside the casing. I didn't want them to LOOK like elastic-waist pants, so I kept the back darts. The elastic only pulls in the waistband slightly--maybe an inch or two all around--much as a belt would.
• Used rayon seam binding for the lower edge of the inner waistband, creating a little "curtain" as I've seen in most of my RTW pants/skirts:
  

Every part of the process was painful--I swear 90 percent of my time on these was spent poring over instructional photos, second-guessing myself, trying on the muslin and fashion fabric version repeatedly, squinting at the mirror, pinching the fabric here in there, sobbing, what have you... as opposed to actually sewing. It reminded me of the time I took a road trip around Southwest France, got lost every five minutes due to all the roundabouts, had to ask for directions in my rusty French--and eventually got there.

Because it all worked out and I have a feeling that my next pair of these will be smooth(er) sailing! Please don't tell me otherwise.

References Used:

• Sandra Betzina's Power Sewing
• The Easy Guide to Sewing Pants
• Pants for Real People
• David Page Coffin's Making Trousers for Men and Women

Successes:I MADE TROUSERS AND THEY ARE THE BEST MOST COMFORTABLE TROUSERS I OWN.

Room for improvement:

• Next time I may try a version in a lighter color with elastic only in the back (and petersham in the front), and some fun top-stitching.
• They should probably be a little snugger around the belly in the front.
• Maybe I'll try a wider contour waistband that goes all the way up to my natural waist.
• I'll use a better zipper, this one is a bit flimsy.
• But the main area I need to improve in is SPEED.

Would you sew it again? Would you recommend it to others?

Yes and yes. After all this work, I'm hoping these will become a TNT pattern!

Wear to:Work. Weekend. Playground with my daughter. EVERYWHERE!

Conclusion: I made trousers and I am happy. And here they are at the end of the workday, a bit looser and saggier and wrinklier, but still AWESOME:

Good night all! May all your sewing projects go smoother than this one, but with just as happy results!

Sew Grateful: Vintage Pattern Giveaway Overload!

Giveaway Option #1: Du Barry 5415 vintage coat or topper pattern, 1942

Sew Grateful week is in full swing over at My Happy Sewing Place, AND I just hit over 150 blog followers, so I'm super excited to host my first ever Polka Dot Overload giveaway!

In typical Mikhaela fashion I could not pick just one pattern to give away--and since I'm doing a vintage pattern giveaway, I wanted to have a range of bust size options. So here are a variety of patterns I've collected that aren't quite moi, but deserve a loving sewing home.

So, the rules:

• To qualify for the giveaway, please leave a comment here by Sunday Feb. 12, midnight EST telling me which pattern is your favorite, and either (a) what type of fabric you would make it with (color? material? etc.) or (b) what occasion you would wear it for. Please don't enter just to resell on Etsy or eBay--obviously I have no way to check that, but I would just love to think you'll actually sew with one of these!
• There will be one giveaway winner. (The rest of these lots will go on eBay, as I don't have time these days for Etsy).
• Some of these are lots--if you win the giveaway and pick one of them, you get the whole lot!
• Out of qualifying answers, I will pick a random winner.
• Please make sure to include your email address or other contact info when you post your comment (it should be visible to me only, I think).
• I'll ship to anyone, anywhere, but please give me a few weeks of leeway before you start worrying about your pattern(s)--things are a big squeezed over here timewise!
• Due to the sheer number of patterns involved here, I did not have time to check to make sure all pattern pieces are present for all patterns. If you choose a lot, hopefully most of them will be intact! If you choose a single pattern, I'll check the pieces before I send--if any key ones are missing, I can give you backup options.

And the options (I have links to back views or more details on the Vintage Pattern Wikia for some of these):

1. Vintage Du Barry 5415 coat or topper pattern, 1942, size 16, bust size 34 (photo above). Love those Du Barry crayon colored illustrations!
2. Vintage Simplicity 3431 dress with full skirt, early 1960s, size 16, bust size 36. Check out the sheer sleeves in the main view (and here's the back view):
   
3. Lot of three adorable vintage smock-style maternity dress, top and skirt patterns, one from the 1950s and the others from the 1960s. Bust sizes 32 or 34. (Here's more info on Butterick 7395):
   
4. Lot of six vintage patterns from the 1960s or 1970, in bust sizes 37-40. I really wish these were closer to my high bust size, especially Simplicity 3722 (double bows!). And isn't Style 2876 (love that bodice seaming) very Star Wars--whereas Butterick 6329 is a bit more Star Trek? Also includes a half-size sloper pattern...
   
5. Lot of six vintage patterns from the 1960s or 70s, in bust sizes 32-34. Yes, I know there are seven pictured... but then I realized I just LOVE everything about Simplicity 6577 (the orange/plaid combo! eek!) and it's only one size too small in the waist/hips. So (sew?) sorry!
   
6. Lot of two vintage 1960s mail-order dress patterns (see detailed blog post about this collection "A Life in Mail Order Patterns") in bust sizes 34 and 35, Patt-O-Rama 8356 and Mail Order 8359.
   
7. Lot of five vintage 1970s and 1980s mail-order dress and separates patterns from same collection (see detailed blog post about this collection "A Life in Mail Order Patterns") in bust sizes 39-42, including Mail Order 4785, Mail Order 8250 and Mail Order 9441 (my favorite! Love the polka dot bow-neck dress!).
   

   

Phew! That's it, folks. Good luck to all of you, and while I don't want to put on any pressure, I would just be incredibly delighted if the winner eventually made up their winning pattern ... maybe in time for next year's Sew Grateful week?

P.S. Later this week, I'm also planning to do a Sew Grateful tribute to my grandmother Melba, who taught me to sew (and left me her beloved serger and money for a sewing machine). I'm also hoping to do a project post about my Sew Grateful colorblocked skirt from a pattern she left me--if my fabric arrives in time.

1940s Red Dress Showdown (Du Barry Edition): Sweetheart vs. Peplum?

I totally went back in time to 1942 and posed for some Du Barry pattern envelope illustrations!

Vintage lovers, I have the most exciting news for you! I HAVE BENT THE FABRIC OF THE SPACE-TIME CONTINUUM... all in the name of sewing, of course.

The idea came to me when I showed my husband the below two vintage pattern envelopes and asked him which dress would be more sexy and adorable for our upcoming Valentine's Day date.

"Sorry babe," he said, "It's really hard to tell—those illustration models are way too bony!" (Apologies to the more slender among you--this is his husbandly way of saying "honey, you look great the way you are", and I won't pretend I don't love it.)

So I tinkered around with some presser feet, rick rack and stretch lace for a bit, cobbled together a workable time-travel device, and paid a visit to the Du Barry pattern studios. I was like "Guys, all your super-stylized illustrations make it hard for the not-totally-waspwaisted among us way-in-the-future seamsters/seamstresses to picture how a dress will look on our actual bodies" and they were like "Wow, that's an excellent point."

Sadly I lost the device on my journey home, but c'est la vie! Anyway, the dress pros and cons:

Du Barry 5525 (early 1940s?):

• Pros: Sweetheart neckline, reverse sweetheart fitted hip yoke, beautiful drapey skirt.
• Cons:Will require grading up a size, something I've never attempted. And the sweetheart isn't as low-cut as I'd like. Also, I'm totally nervous about attempting 40s shoulder pads for the first time--I have really narrow shoulders!

Du Barry 5505 (1942):

• Pros: Love the princess seams, love the skirt gores, LOVE THE PEPLUM. Also, no grading--just a little tweaking of fit and my usual major FBA.
• Cons: Neckline super high, not very sexy. I tried to mitigate this in my croquis sketch by colorblocking and making the sleeves into cap sleeves, but not sure if it worked.

I did play with some other color options, but red clearly won the day:

For fabric, I went a-swatching at my favorite Garment District store, Paron's:

They were having a store-wide 30-60% off sale, so I didn't limit myself to the half-off annex this time. My options were (clockwise starting with the purple):

1. Purple rayon crepe. (Not red, but it was the only rayon crepe in the annex).
2. Christian Dior red rayon/silk blend. Really nice but a bit orange-y in real life (and this is the rare case where I didn't want orange.
3. Deep red silk crepe with a hint of stretch.
4. Lovely soft thin 100% wool crepe.
5. Lovely soft thick wool/nylon/stretch blend crepe.

The wool/nylon/stretch was my initial favorite—I just love working with wool, whether sewing or knitting—and would have been perfect for the bodice... but it was too thick and didn't have enough drape for the skirt. I went back the next day to get the red silk crepe stretch mainly because it looked so awesome when I stood in front of a mirror trying to pretend the bolt was a real dress.

And there you have it. So: who wins the showdown? Which dress would YOU make? I've already chosen, but I'm not telling—yet.

P.S. This is a case where a croquis really comes in handy, as I demonstrated recently in my little "How to Dress Your Digital Dress Form" demo/tutorial video (see related blog post for references, tips and details):

Polka Dot Crush: New Vintage Lady!

The New Vintage Lady shows off her handmade gardenias, Billie-Holiday-style

Reverse-inspired by the Selfish Seamstress and her sinister parade of nemeses, I thought I'd write an occasional sappy mash note to my favorite stitchy bloggers. First up: New Vintage Lady (aka Shelley J.)

I first e-encountered New Vintage Lady a few weeks ago via Sew Retro, but I had an instant blog crush, with a bit of jealousy mixed in. Firstly, in my biased cartoonist-girl book:

The Lady can DRAW! Which makes sense, since she's an animator by trade. (And as someone whose drawings don't move, animators totally make me green.)

You might have noticed that most vintage pattern envelope illustrations--even for plus-size or maternity patterns--have one thing in common: skinny, wasp-waisted white ladies. Not so New Vintage Lady's line of plus-sized reproduction patterns, which she recently began illustrating with gorgeous variations on her cartoon self-portrait (click any of these to enlarge):

And here's a peek at her drawing development process--unlike my digitally addicted cartoonist self, she uses actual pencils and paper:

The Lady can grade. When she had trouble finding plus-size patterns from her favorite style eras (the 1920s-1940s), she just taught herself to size them up. (Considering how many bust size 32 patterns I continue to cling to, I had better get on that.) I can't tell from her blog what size this fabulous Hollywood 1486 dress was originally--but I'll just guess that she graded it and she can correct me if I'm wrong.

Don't you just love the cut, fabric and asymmetrical button front styling? (It should probably be noted that like many vintage lovers, Ms. NVL has a serious button problem passion).

The Lady can accessorize. And I don't just mean buying vintage accessories, though she does that too-I'm talking some major home millinery. (I don't even know how to wear hats properly, never mind construct and design them.) Check out her depression picnic cloche:

The Lady can repo. When she became obsessed with vintage sewing--and disappointed in the lack of patterns in her size--she didn't just grade them for herself. When Ms. NVL obtains particularly fabulous plus-size vintage patterns from the 10s, 20s, 30s and earlier 40s (i.e. the ones generally safe from copyright protection), she reproduces them, as in the examples above. Here's a 1920s "dustbowl" dress:

The Lady can teach. Who doesn't love a tutorial? (I swear I'll have some up here SOMEDAY!). Check out The Lady's (beautifully illustrated) Style Tips on:

• The right vintage fit for plus-size sewers...
• Plus-size-vintage-pattern-selection dos and don'ts
• How to (properly) put on stockings

The latter could have saved me some grief over the years, as I am pretty much guaranteed to get major runs in any and all stockings either while putting them on or in the first 10 minutes of wear. (Although I'm so pregnant right now that filing my toenails to ensure a snag-free stocking application will have to wait until I can actually see/reach said toes!)

And it's not a tutorial, but she also did a two-part "Black Hair" series on her blog with her thoughts on the pressure for black women to straighten their hair, her disappointment with the Chris Rock documentary Good Hair, and examples (with photos) of how she does a natural vintage hair style.

So there you have it, my first official Polka Dot Blog Crush! Be sure to visit Shelley's New Vintage Lady site, blog and etsy shop for a whole lot more vintage fabulousness. (And just to be clear, I'm not in any way sponsored by her or getting any kickbacks!)

More Vintage Pattern Stashing & Destashing: 1940s edition!

My recently acquired crayon-colored assortment of 40s pattern gorgeousness

Stashing:

OK, I think I have a problem. Perhaps stemming from a frustrating deficit of actual sewing progress lately? (I do have my machine working again, though and promise to have several finished objects for you this weekend!).

But when I spied the above lot of eight early 1940s DuBarry patterns on eBay, I couldn't resist putting in an eensy little bid, even though they will all require grading up a size or two. And to my surprise, I "won." (If you can really call adding to my over-squeezed pattern drawer "winning").

Really, could YOU say no to a princess-seamed button-backed peplum two-piece dress like DuBarry 5505?

Note how the lines of the bodice seams continue in the gored skirt. And I love the gathering coming from the yoked neckline (though I'd probably make it a very narrow band--it's too high for me as is). Yellow isn't my color, but I love the red.

And how about DuBarry 5525? Isn't it wonderful how the sweetheart neckline is mirrored in the hip yoke?

On the more nursing-friendly front, there's DuBarry 5613--it's technically a "beach/brunch coat", but it looks like a wrap dress to me:

And button fronts provide far better access than button backs:

Is it just me, or are these 1940s DuBarry illustrations particularly lovely? I'm just crazy about the style and styling of these envelopes... well, aside from the fact that they exclusively feature tall skinny white ladies--but that's a blog post for another time.

So yes, I am a bad, bad girl.

Destashing:

HOWEVER! As promised in my previous pattern stashing/destashing post, I have made excellent progress towards destashing any and all patterns that I am 75% certain I will never sew, either for style or size reasons. No matter HOW enticing their seductive little illustrations!

The first step was donating a box of 24 patterns to Pattern Rescue (which I discovered via Color Kitten). They were mostly 70s and 80s patterns that while fun, would be too much trouble to sell, but I tried to put in a few nicer ones as well.

The second was setting up a Polka Dot Overload Etsy shop and photographing and inspecting all the more saleable 40s, 50s, 60s and 70s patterns. I'm still working on this--I've only managed to list 7 so far (though I've already sold one! hurrah!). Some of the ones I've managed to get up so far:

Simplicity 2876. It's a glamourous 1949 V-Neck gown... but despite my grading ambitions, there is no way I'm doing the work to get a 30" bust pattern over my 41" bust -- that would involve going up three sizes to my 36" high bust, and THEN doing a major FBA.

Simplicity 2309. Lovely 1948 pleated bias-cut skirt with side pockets. But even before my waist vanished under my uterus, it was nowhere near 26 inches.

Mail Order 1447. This 1960s shirtwaist was featured in my "A Life in (Mail-Order) Patterns" post--the tabs and pockets are SO cute, and it's in a 35-inch bust... but it's a half-size, I have MANY other shirtwaist patterns, and I'm a relatively tall girl.

Style 2876, 1970. This was HARD--it's a 38-inch bust and I LOVE the seaming (and these hairstyles--almost a Princess Leia look, no?)... on someone else. Repeated dressing-room experimentation in vintage stores has proven that these clean-lined high-necked mod dresses just Do Not Work on my curvy figure.

Photographing the envelopes is quick... but assessing the condition, determining whether all pieces are present and cut/uncut, setting a fair price, writing descriptions and adding tags? Not so quick. Now I know why so many vintage patterns seem to be so pricy! That's real work!

But I figure if I can list them all now, it'll be relatively quick to ship them if they sell while I'm on maternity leave. And any extra cash will certainly come in handy for laundry money to wash all those cloth diapers...