And the vintage pattern illustration giveaway winner(s) are...

If you're wondering why it's taken me so long to announce a winner for my "You on a Vintage Pattern Envelope" giveaway, well... that'll teach me to have a non-random giveaway! I got 17 fabulous, fun and well-thought-out entries, plus lots of sweet comments and birthday love, and I hated having to choose just one!

But as promised, I picked five names at random out of the 17 qualifying entries, tried to evaluate them based on fun/long-time readership/creativity/etc... and totally failed to make a clear decision. In the end I changed the rules and picked one random winner out of the five. The five finalists were:

#1: Alexa, with Simplicity 3868

Source: vintagepatterns.wikia.com via Mikhaela on Pinterest

Alexa said:

ohh what an awesome giveaway. I have been reading since you had your daughter, who is a little younger than my oldest. I found you through you sewing.patternreview.com after admiring your work.

I sew, but am not at vintage pattern making level yet. So this is just pretend for me. I think Simplicity 6838 is gorgeous. I like version 3 in a jewel tone like deep purple or dark turquoise.

I would print out your illustration, frame it and hang it in my studio (the part of my bedroom where my sewing stuff lives.)

Alexa is right--how awesome is view 3 with those awesome cutouts?

#2: Beata, with a cover from Australian Home Journal

Source: ebay.com.au via Beata on Pinterest

Beata wrote:

Hmmm, would you put me on an "Australian Home Journal" cover? Like this one.

It's not quite a pattern envelope, but pretty close! Otherwise I'll pick a pattern later :)

I'd like to be in the pink dress, but made up in a purple floral, maybe something like this.

I love the shoes she is wearing, but I'd leave off the other accessories...

As for hair, I want big, bouncy curls like the main picture here.

Thanks for the awesome giveaway!

Oh my goodness, I LOVE all three of those dresses... surplice necklines, gathers, scallops, pockets, peplums, directional stripes... all kinds of awesome, really.

#3: The ever-inspiring Laura Mae, with Advance 5470:

Source: lilacsandlace.blogspot.com via Mikhaela on Pinterest

Laura Mae said:

While I wish I looked like those beautiful vintage pattern envelopes, it just isn’t meant to be. I wonder what their stats are? I would imagine they are at least 6 feet tall with a 20” waist. So maybe that would look rather freakish in real life.

But what pattern to choose? I think I would choose my most recent creation, Advance 5470, which is special in so many ways. First off, the pattern came to me via Mr. Male Pattern Boldness, himself. It doesn’t get much more special than that! The black and white floral fabric is something that I have been saving for quite a while now, earmarked for a Vintage Vogue pattern that I just have not had the proper opportunity/event to cut into the fabric. The huge shawl collar, full skirt, and lantern sleeves may just be the most perfect pattern I have ever come across.

I did not have the perfect hat to top the outfit off when I wore the dress yesterday. In a perfect world, I would have whipped up something, but time ran out, as it often does . . . But with a drawing I can pretend that I finished that exquisite hat and my softly curled hair looked perfect and fabulous even though rain was threatening all day long and the wind was ridiculous! ...

Wishing you a Happy Belated Birthday! And thank you for the opportunity to win such an amazing prize!

Laura Mae is, of course, way too modest, because I do believe she DOES look like she stepped out of a vintage pattern envelope (or at least a vintage fashion magazine) most of the time with her amazing vintage-inspired creations.

#4: Lee, with Simplicity 1668:

Source: vintagepatterns.wikia.com via Mikhaela on Pinterest

Lee said:

Mikhaela, this is such a cool project and a generous offer. I've been following you since you commented on my blog earlier this year, though I only recently formally subscribed. I like reading because your sensibility and array of projects and thoughtful way of proceeding all appeal to me. You have smart commenters too.

I would love to see myself on a vintage pattern envelope, specifically Simplicity 1668, a 40s dress with scallop details, in bright blue and white polka dot fabric, red shoes, red lipstick, and hair kind of like my own but more 40s-styled, less frizzy and unkempt. I would use the image wherever I could! Definitely I would frame it and display it next to a photograph of my much missed grandmother in a similar dress.

Now that I know Lee in real life through the Brooklyn BurdaStyle Sewing Club (in fact, I saw her there last weekend!), I can easily picture her rocking the dress she describes. Polka dots + scallops... yummy.

And last but not least...

#5: Cosmo, with Simplicity 3471:

Source: vintagepatterns.wikia.com via Mikhaela on Pinterest

Cosmo wrote:

I love your blog mainly because you are a cool mom vintage sewing knitting graphic designer. You have a perspective similar to mine.

I am cutting it pretty close on this one because I forgot it was EST midnight not my midnight. I am still not entirely sure that this is the pattern I love the best but Simplicity 3471 is adorable and I would love to have it in a bright Pucci or Marimekko style print. I was also looking at some 70s maxi dresses, but I am really more of an early 60s kind of girl.

I am getting ready to start up a new sewing and fashion blog and would love to use artwork like this. Also I am getting ready to chop several inches off of my locs and would love to have them memorialized this way.

Oh and I would wear a bright pair of wedges and a chunky necklace and my locs in a braid out with one side pinned back with a giant ranunculus.

So yeah. Clearly impossible to make a choice here, so I grabbed the old digital hat and drew a number.

And the winner is...

Cosmo! Congratulations! I'll send you an email--since you already gave me most of the details, the main thing I need is you preferred reference photo of yourself. (Perhaps a bicycle should be involved?)

But you might have noticed I said WINNERS (plural). Did I mention that in my own totally arbitrary way I decided to award a special prize?

The arbitrary because-I-felt-like-it Doctor-Who-Obsessed TARDIS Prize goes to...

Source: shenanagin.deviantart.com via Mikhaela on Pinterest

Meg the Grand! Meg wrote:

I want this so very badly. So very very badly. I don't suppose you could draw me as a Tardis? An illustration of me as a Tardis would need me in blue, of course, with a light bulb as a little hat, and some rocking blue heels. This would go in the Tardis bedroom, next to my bed, so I could always giggle when I get up in the morning. It would also need to go on my blog somewhere so people know what they are getting into when they click on my page. I have a Doctor Who problem - I'm sure there is counseling for this somewhere.

In my next life, please let me come back as Alex Kingston's duplicate. With her wine colored Louboutin heels.

Seriously, though - this giveaway is truly special. I think any of us who read your blog regularly would be so honored to be drawn by you. I know I am getting misty at the sheer generosity of this!

If I had to pick a vintage pattern, I would pick the Mail Order 9388 that was my Sassy Secretary dress. I would love big hair (I long for big hair in my real life), cobalt blue dress, and then blue heels. I love that outfit. It makes me so happy to put it on, so to immortalize it as one of your drawings would be one of the best things in my life. This would have to go on my blog, and if I ever got around to business cards, it would be there too. It would also get printed and put above my sewing machine so I could always smile when I am seam ripping a zipper.

Now, there are of course several ways to go about this, the main two being either putting Meg in a TARDIS dress, like this awesome one by Tara Reich:

Source: tess-san.deviantart.com via Mikhaela on Pinterest

Or by drawing her as Idris (when the TARDIS was temporarily in a woman's body in a super-awesome episode called "The Doctor's Wife" penned by Neil Gaiman):

Source: blogtorwho.blogspot.com via Mikhaela on Pinterest

Congrats to both winners, and guys, I'm so sorry I couldn't draw every one of your awesome vintage envelope ideas!

Polka Dot Birthday Giveaway: You! On a Vintage Pattern Envelope!

Hello dear readers! In honor of reaching 200 followers—well, 226 now!—and my 32nd birthday (that's Friday, June 1st!) I'd like to offer a somewhat unusual sewing giveaway.

The prize: A simple digital color cartoon illustration of YOU, on the vintage sewing pattern envelope of your choice--maybe one you've already sewn, maybe one you want to sew, maybe one you won't ever sew, but just LOVE to fantasize about.

The deadline: entries due by midnight EST on June 6, 2012.

The background: As much as I adore vintage sewing pattern illustrations and their changing styles over time, they're all a bit, well... unrealistically tall and skinny. (Not to mention uniformly white.) I've always had this vague plan for doing a series of "Real People on Vintage Pattern Envelopes," drawings and I started to have a bit of fun with that idea in my 1940s red dress showdown and my header illustration for We Sew Retro:

The qualifications:

• This giveaway is a bit special (estimated value: $125?), so I'd like to reward a loyal blog follower who has come back at least a few times (or who plans to read the blog regularly), as opposed to a random giveaway seeker who is brand-new to the blog.
• I will draw five entries at random, then choose my top favorite based on the items described. Extra points for creativity, style, fun fabric and accessory choices, long-time readership, etc.

The rules: To enter, please...

• Follow this blog (better yet, already be a follower!).
• Leave a comment describing the vintage pattern you'd choose, in what type of fabric, with what sort of hairstyle and accessories. (For example: A red rayon 1940s dress with peplum, hair in victory rolls and red wedge sandals.)
• Tell me what you'd like to do with the drawing (put it on your business card? post on your blog? print for your mom?)
• Tell me why you like to read my blog.
• Make sure your contact info is obviously available in your Google profile or leave an email address.

Details and disclaimers:

• If you enter, you will have one week to send me a clear full-length photo of yourself, a decent image of the pattern envelope you'd like to be pictured on, and a photo or description of the fabric(s) you'd like it to be made up in, plus inspiration images for accessories and hair. The fabric does not have to be accurate period vintage—it can be as wild or weird as you like..
• You understand that these reference photos may be published on this blog in the giveaway followup post.
• I will provide you both with the pattern envelope art image and a separate image of yourself in the dress, sans envelope, like so:
  
• I estimate I'll have the drawing done in 6-8 weeks (not that the drawing will actually take that long, I just have a ridiculously busy life at the moment).
• Copyright for the standalone drawing stays with me, but you have unlimited usage rights (on your blog, business card, wherever) as long as you attribute it.
• Because the idea is "Real People on Vintage Envelopes" please keep in mind that I am not going to make you look taller, or skinnier, or more or less X, Y, or Z--I will pretty much stick to your actual fabulous outlines as delineated in whatever photo you send me.
• I will send you a rough sketch as part of the process, but reserve the right not to make many/any edits or changes to the sketch or final.

Remember: giveaway entries due by June 6, midnight EST!

And with that, I'm off to ink this Downton Abbey-esque vintage-inspired "pattern envelope" art I'm working on for the Consulting Dressmaker for her Sisters of Edwardia blouse...

On my sewing table and in the mail

Oops, did I say "sewing table"? I meant "drawing table"--or more precisely, computer desk, since I draw directly into my Mac. I'm back from a fabulous trip to San Francisco but there will be no sewing until I finish a few exciting sewing-related illustration projects.

A little sneak peek of one is above--part of what's shown is final inks, part is a sketch, and none of it has been colored yet. (My toddler's sleep has been all wacky due to travel--hoping she'll start going to bed before 11 p.m. again soon!)

You may already have seen PART of the other--I'm doing a little illustration for one of my favorite bloggers, Stephanie aka The Consulting Dressmaker of 3 Hours Past the Edge of the World fame... so here's my flat line art for her lovely Downton Abbey-inspired Sisters of Edwardia blouse:

Source: craftsy.com via Mikhaela on Pinterest

While on vacation, I deliberately ignored my Google Reader, so I am only just now catching up on all YOUR sewing awesomeness (Me Made May isn't happening for me, but I'm loving it vicariously). But I did follow the continuing comments on my frustrated post about natural-waisted jeans, "In Defense of Mom Jeans", and I totally recommend taking a read--a lot of you feel really strongly about high vs. low waists, and the discussion is still going!

Which brings me to what's coming in the mail. After multiple fabric shopping fails, I finally caved and bought the infamous Jalie 2908 stretch jeans pattern, which do have a higher-waisted (if not totally natural-waisted) option, plus I can make jeans for the little Z girl:

Source: jalie.com via Mikhaela on Pinterest

I don't know if I'll go for a boot-cut, though--think I'll do them straight, or even skinny. We shall see!

I also finally bought the Colette Ginger skirt... I was buying the Jalies from Pattern Review anyway, and I have just the denim for it.

Source: colettepatterns.com via Mikhaela on Pinterest

I'm somewhat embarrassed to realize that I own quite an expensive and large collection of Colette Patterns, including the handbook and Macaron, Ceylon, Crepe, Sencha, Parfait and now Ginger... but NONE of them have ever made it past the muslin stage (though admittedly, I muslined/altered several of them while pregnant, then realized they would look better with like, a waist.) Let's see if I can change that up.

Oh, and here's what my knitting looked like the day before I left for San Francisco--a half-finished grad-dyed-by-me Waving Lace sock, and two carefully washed and blocked swatches formy chartreuse Georgina cardigan:

I don't have pictures yet, but the sock is now almost-done (though it of course needs a twin sister, argh!) and I've cast on and gotten a good ways (er, a few inches) on the lacy center of the cardigan.

So: what's your most expensive pattern you've never actually sewn?

Video Tutorial: Try On Patterns Before You Sew With a Digital Dress Form (Croquis)

Here it is, folks—my long-promised video tutorial on how I dress my digital croquis, based on my Colette Pastille vs. Colette Macaron sheath dress showdown! It's just three minutes long, so please take a look and share with your friends, embed on your own blog, whatever!

If you have any questions about a specific part of the video, leave them in the comments and I'll answer them in annotations directly on the video.

Now that I watch it critically, perhaps it's more of a "demo" than a tutorial, as it doesn't really go into the real nitty-gritty—what size paintbrushes to use, how to do a proper selection for filling, how to use layers, or how to create repeat fabric patterns, etc. Do you need to know that stuff too?

So I'd really love your feedback:

• How's my genereal script/approach/use of images/video?
• Is it too long/too short?
• Is my narration understandable, or too fast/mumbly?
• Are there some bits you're more interested in than others?
• Should I do more of these? The other tutorial I've been promising to do for about two years now is how to create a really robust digital croquis in the first place using a variety of methods—digital, hand, etc.
• Would it be better as a series of printable photos and text than a video?

The details: I captured the demo with iShowU, and edited it and recorded the voiceover in iMovie. I found the voiceover the most challenging part—at first I tried to wing it, but I kept stumbling over my words so my film-school-grad husband suggested I script it. Here's my rough script with some notes/links:

Mikhaela Reid here from Polka Dot Overload with a demo of how I “try on” sewing patterns using my customized digital dress form, or croquis.

With a little practice, you can plan your sewing wardrobe, design fun details and play with palettes and fabrics. Best of all, you can preview how a design will look on YOUR awesome shape before you cut—or even buy—your pattern or fabric. This is particularly great for use with vintage patterns with really stylized envelope drawings.

Back when I was super pregnant, I used my croquis to create storyboards and plan extensive modifications to non-maternity patterns.

So let’s talk tools:

• First, you need a croquis. This could be one you traced by hand and scanned or drew directly into the computer. (Tutorial forthcoming, I swear!)
• You’ll need images of your planned fabric, whether you’ve already purchased it or not. I keep all my fabric stash photos catalogued by color and type in Flickr, because I am obsessive.
• A pressure-sensitive graphics tablet is optional—but I can't recommend it highly enough. Drawing with a mouse is clumsy and awkward, like drawing with a bar of soap—a pen tablet lets you draw naturally and create thicks and thins that look brush or pen-drawn just by changing pressure. I use a Wacom Intuos, but you can get a small Wacom Bamboo for $77 new, and I've seen used Bamboos or Graphires go for as little as $20 on eBay—less than the cost of some presser feet. Don't worry about size—even the smallest one can do what you need for this.
• Finally, you’ll need digital image-manipulation software with the ability to paint and use layers and patterns. I use Manga Studio (speciality software for cartoonists—you don't really need it, I just happen to be really comfortable in it) and PhotoShop (just don't have TOO much fun with it) but GIMP is a great open-source PhotoShop alternative that does most of what PhotoShop can do for the excellent price of FREE GRATIS.

So let’s get started. I’m going to speed this up, but the entire process usually takes me from 15 minutes to an hour—drawing and coloring these two dresses took about 20 minutes total.

Here’s a grayed out photo of me in a tank top on which I’d already drawn my croquis on another layer. For reference, I’ve pulled up the pattern flats for the Colette Macaron and a photo of Mena from the Sew Weekly wearing her lovely version.

I usually start with one of the key lines of the design, in this case the mock sweetheart neckline. I keep the fabric in mind—is it stiff? soft? stretchy—and how it will hang from my body in real life. It wouldn’t be realistic to draw lots of soft pleats or folds in a stiff fabric with no drape. I also think carefully about ease. In this case I’m working with a firm cotton stretch woven and I plan to make the dress very fitted, so I draw the outlines very close to my actual contours...

And then I ran out of patience and winged the rest of it. And if you listen, you'll see I had to edit out a lot of the above for time's sake, too.

Recommended reading: If you're interested in a good reference book on how to render garment details...

• Fashion school textbooks like Fashion Sketchbook (which I bought used at the FIT bookstore) or 9 Heads are excellent but extremely expensive.
• Fantastic Fit For Every Body has a great section on drawing your own croquis, whether you're an artist or not!
• Also, remember, that they're teaching you to render the unrealistic and superstylized 9-heads-or-more-tall fashion figure—which is the opposite of what we're trying to do here with our custom-made-for-our-awesome-real-bodies croquis.

  But really, the best thing is just to study real clothing and fabric, and practice, practice, practice. I love these sketches Lladybird has been doing with her croquis by hand, and she claims she's "no artist", just "pretty good at copying stuff."

Enjoy! I'm dying to know what you all think of this—please let me know. And if this tutorial/demo inspires you or helps you in your sewing planning adventures, please leave a comment with a link to your projects so I can see them.

Finished Objects: Stuffed Doodles!

Cartoonist Husband and I recently (well, two months ago) made it out to our first post-baby cartooning convention, the East Coast Black Age of Comics Con in Philadelphia. I wasn't exhibiting my own cartoons, so I decided to sew up some little softies with Masheka's drawings on them since I had already designed the fabric for Z's Blue Doodle Hoodie.

They're really simple--just upholstery fabric, stuffing, etc. But they are ACTUAL SEWING. Here they are in progress:

They sold quite well, though some folks thought they were cat toys--maybe next time we'll put catnip in them. Family shots:

P.S. Been meaning to post these for a few months, but better late than never. Since I work full time, I pretty much get home and it's all Baby Z all the time (well, Toddler Z--she started walking at 10 months, nearly 3 months ago) until she finally succumbs to the warm bath/bedtime story/dark room/nursing marathon and falls asleep, at which point I collapse into bed as well. Because at that point, it's generally like, midnight. REALLY. (And she still nurses at least twice during the night too.)

Except last night, when she actually went to bed at 8:30, and I sat up for an hour hand-hemming two baby dresses I had started sewing when I was still pregnant. Hope they actually fit her--we'll see tomorrow! They were 12 month size but seem to run big...

When bold color combinations go wrong...

I'm still here, and still (hugely) pregnant--I'm officially full term now, at 37 weeks! But apparently along with my sense of balance, I have also lost my keen sense of color combination.

See Exhibit A, above. After I totally misread the instructions on my last Sheepy Soaker and ended up with a diaper cover that is sure to extend up to Cartoonist Baby's adorable little armpits, I made this stripey number.

It seemed like a good idea at the time. After all, I love stripes...

Stripe Love by m1khaela featuring Anthropologie

And I love combining purple and green...

But as I was blithely knitting away, Cartoonist Husband pointed out that somehow, this particular purple and this particular green, in this particular striped configuration couldn't help but remind him of a certain Spiderman villain:

Oh well. Green-Goblinesque or no, it'll still keep her adorable little butt dry, and it's still way cuter than any disposable diapers. Here's a back view:

P.S. How about you, readers? Do you have any stories of promising color combinations gone wrong?

P.P.S. I just thought of another one, actually, also pointed out by Cartoonist Husband. Back in January I made a sweatshirt for a serger class, and I thought it might be cute to make it in red french terry with black ribbed edging. The unflattering 80s unisex pattern didn't fit at all. So I spent way too much time trying to alter it for maternity, but never got around to reattaching the second sleeve...

Mostly thanks to an unfortunate resemblance to a certain doomed class of Star Trek character:

Polka Dot Crush: New Vintage Lady!

The New Vintage Lady shows off her handmade gardenias, Billie-Holiday-style

Reverse-inspired by the Selfish Seamstress and her sinister parade of nemeses, I thought I'd write an occasional sappy mash note to my favorite stitchy bloggers. First up: New Vintage Lady (aka Shelley J.)

I first e-encountered New Vintage Lady a few weeks ago via Sew Retro, but I had an instant blog crush, with a bit of jealousy mixed in. Firstly, in my biased cartoonist-girl book:

The Lady can DRAW! Which makes sense, since she's an animator by trade. (And as someone whose drawings don't move, animators totally make me green.)

You might have noticed that most vintage pattern envelope illustrations--even for plus-size or maternity patterns--have one thing in common: skinny, wasp-waisted white ladies. Not so New Vintage Lady's line of plus-sized reproduction patterns, which she recently began illustrating with gorgeous variations on her cartoon self-portrait (click any of these to enlarge):

And here's a peek at her drawing development process--unlike my digitally addicted cartoonist self, she uses actual pencils and paper:

The Lady can grade. When she had trouble finding plus-size patterns from her favorite style eras (the 1920s-1940s), she just taught herself to size them up. (Considering how many bust size 32 patterns I continue to cling to, I had better get on that.) I can't tell from her blog what size this fabulous Hollywood 1486 dress was originally--but I'll just guess that she graded it and she can correct me if I'm wrong.

Don't you just love the cut, fabric and asymmetrical button front styling? (It should probably be noted that like many vintage lovers, Ms. NVL has a serious button problem passion).

The Lady can accessorize. And I don't just mean buying vintage accessories, though she does that too-I'm talking some major home millinery. (I don't even know how to wear hats properly, never mind construct and design them.) Check out her depression picnic cloche:

The Lady can repo. When she became obsessed with vintage sewing--and disappointed in the lack of patterns in her size--she didn't just grade them for herself. When Ms. NVL obtains particularly fabulous plus-size vintage patterns from the 10s, 20s, 30s and earlier 40s (i.e. the ones generally safe from copyright protection), she reproduces them, as in the examples above. Here's a 1920s "dustbowl" dress:

The Lady can teach. Who doesn't love a tutorial? (I swear I'll have some up here SOMEDAY!). Check out The Lady's (beautifully illustrated) Style Tips on:

• The right vintage fit for plus-size sewers...
• Plus-size-vintage-pattern-selection dos and don'ts
• How to (properly) put on stockings

The latter could have saved me some grief over the years, as I am pretty much guaranteed to get major runs in any and all stockings either while putting them on or in the first 10 minutes of wear. (Although I'm so pregnant right now that filing my toenails to ensure a snag-free stocking application will have to wait until I can actually see/reach said toes!)

And it's not a tutorial, but she also did a two-part "Black Hair" series on her blog with her thoughts on the pressure for black women to straighten their hair, her disappointment with the Chris Rock documentary Good Hair, and examples (with photos) of how she does a natural vintage hair style.

So there you have it, my first official Polka Dot Blog Crush! Be sure to visit Shelley's New Vintage Lady site, blog and etsy shop for a whole lot more vintage fabulousness. (And just to be clear, I'm not in any way sponsored by her or getting any kickbacks!)

I win! I win!

Even though I dropped out!

And I'm not talking about the mini-wardrobe contest. A few weeks ago I mentioned here that I made the painful (but freeing) decision to retire from regular freelance weekly political cartooning. I'd been doing it for 8 years, but the newspaper market had gone sour, I was sick of the vicious hate mail, and my interests had changed.

Anyway, one of my few clients remaining at the end was Detroit's alternative weekly, the Metro Times. Well, I heard this morning that I came in second place for editorial cartooning in the Detroit Society of Professional Journalists' annual awards!

Last year I came in third and the judges said I was a "welcome breath of fresh air with great promise for the future." Sigh...

As you can imagine, while drawing for the Metro Times, I did a lot of cartoons about the economy, unemployment, and the auto industry, and I got some nice emails from laid-off auto workers about cartoons like this one. Here are two of the more popular ones:

Not a bad way to go out, right?

Digital Fabric Printing Fun: The Blue Doodle Baby Hoodie

Of all things I've made for Cartoonist Baby so far, this little custom-printed hoodie (modeled here by Masheka) has to be my favorite. The sewing pattern itself is nothing fancy--it's just the hooded raglan sweatshirt from Kwik Sew's handy Sewing for Baby. The real star is the fabric, adorned with Masheka's strange little doodles. He can't sew, but he sure can draw! Take a closer look:

And closer...

And much closer (too close to include the image here).

The eagle-eyed among you might even see my head, Masheka's face, our cat... not to mention random cows, brains, vampires, skulls, bows, candy canes, toilet paper rolls... everything a stylish Cartoonist Baby could ever need on her sweatshirt, all drawn by her proud dad-to-be! You can view the fabric itself at various magnifications at Spoonflower, but here's a few repeats of the flat design in two colorways:

And here's the source, the cover for Masheka's 2007 cartoon collection Deep Doodle:

(Yes, that's a self-portrait of Masheka throwing up--my husband is a Mad magazine kind of guy, what can I say? One of his most beloved cartoons back in his college days was called "The 11 Types of Vomit.")

Custom digital fabric printing is thrilling--the exact print you want in as little or as much yardage as you want!--but not cheap. For example, at Spoonflower (the only site I've tested so far), prices range from $18/yard for quilting cotton to as much as $32/yard for upholstery-weight twill. The organic cotton interlock for the above hoodie was $27/yard (though I used far less than a yard), and I also bought fat quarters of the upholstery weight to make some softie skulls and mouths that I sold at a cartooning convention last year (but I've sold all my stock and forgot to take pictures). In between those prices they also have organic cotton sateen, lawn, a rayon/bamboo blend fabric and more. Spoonflower also has a marketplace for selling your fabric designs and fun weekly fabric design contests (the prize: free yardage!)

So have you ever tried custom digital fabric printing? Do you plan to? Have you ever bought fabric from a small-scale designer who used a site like this via the site itself or Etsy? If not, what's holding you back--the price or the design skills/tools required? The former is the main reason why I haven't done more than baby clothes and softies with this one design. As for the latter, Masheka and I used PhotoShop for our experiment but I know there are many free tools and tutorials out there to help non-professionals create the digital fabrics of their dreams.

If you'd like to learn more, the fabric blog True Up put together a great comparison chart (also available as a PDF) of digital fabric printers and their offerings, fabric types, pricing, yardage requirements, et al. Also via True Up I just learned that tonight's Project Runway will feature a digital fabric printer!

I'd like to collaborate more with Masheka on projects like these but unfortunately he's currently trapped in this cardboard figurine:

Not Sewing: Why I'm Quitting Political Cartooning

As you might have noticed, I'm a cartoonist. And I'm still a cartoonist, but last night I retired from regular weekly freelance alternative political cartooning after eight years of doing it professionally (and another four before that). I've been considering this seriously for over two years now, but I'm not ashamed to say that when I came to my final decision yesterday and notified my major remaining clients via email there was indeed some uncontrollable sobbing on my part.

I explain my decision in excruciating detail here, but in short: I was doing too much work for too little reward, getting far too many abusive comments and emails, and I needed to make room for more positive projects and people in my life--such as sewing, and most importantly of all, my daughter-to-be. I'm going to be going back to work full-time after a 12-week maternity leave, and if I'm barely able to motivate myself to do freelance political cartoons now, I can't imagine I'll be more excited about it when I've got a newborn who needs as much love and attention as I can give her.

I will say that I was one of only a handful of regularly working paid women political cartoonists (who recently represented only 3% of political cartoonists as a whole) and now there are even fewer. But, as my Bobie (that's my grandma to you not of the Jewish persuasion) would say: "What can you do?"

This relates to sewing only tangentially, but I thought I'd post about it here because in a small way starting this blog helped me realize this was something I should have done a long time ago. As I said on my 32nd blog post here, I was surprised to find that blogging could actually be a rewarding and positive activity... as opposed to a source of abusive comments and emails.

Just so I don't get you all down too much, I thought I'd share an amusing old photo shoot I did some years back that ended up being the basis for the cover of my 2007 cartooning collection, Attack of the 50-Foot Mikhaela:

And now back to your regularly scheduled sewing-and-style-related posting...